The Allègre chair is a continuation of Tino Seubert’s Anodised Wicker project, where he contrasts industrial aluminum extrusions with traditional weaving techniques using organic materials.
Drawing inspiration from Charlotte Perriand’s iconic Meribel and Dordogne chairs, he named his own creation after a randomly chosen village located between these two French places. In essence, the Allègre chair serves as a contemporary reinterpretation of the pioneering female designer’s work.

The Sandwich chair embodies an industrial charm with its minimalist design and contrasting materials. Its core consists of a solid slab of walnut, 10mm thick, enveloped by two layers of aluminum sheets. This sandwich construction provides a sturdy framework while lending a utilitarian aesthetic. The straight lines of the aluminum sheets emphasize its industrial aesthetic, yet the walnut layer adds a touch of warmth, softening the overall look. 
The stainless steel screws allow for effortless mounting and dismounting, enhancing its practicality. Despite its industrial roots, the chair remains inviting, making it a versatile choice for modern interiors seeking a blend of functionality and style.

“Three Is Company” is a dialogue between three chairs celebrating harmony and unity. Inspired by Bauhaus, they blend form and function through simple lines and solid structure. Made of wood, they offer comfort and a modern sculptural feel. With standard, modular sections, the chairs invite interaction—they can be stacked and self-assembled.

PAN was born from technical experimentation, taking its name from Pan, the Greek god of nature, known for his flute made of tubes of varying lengths.
The name also comes from panel and pan (French for “side”), emphasizing how this furniture piece appears almost invisible when viewed head-on but becomes a solid form from any other angle.

The “Rabbit Chair” is part of an ongoing series of objects, that are inspired by drywall construction. It startet with the “Trockenbau CW” bench and developed into more. Its main idea is the construction out of drywall like frames that fit into each other, a standard aluminum profile acts as the structural force.

CLOSE 1 introduces a series of chairs draped in the language of curtains—a study in retreat, a statement on the art of seclusion. 
If a chair is an invitation to sit, a curtain is a suggestion to disappear. Together, they offer the luxury of presence or absence, a choice to engage or withdraw at will.

In 2025 Spazio Cenere introduced C/00, “Chair 00,” a piece that marks a new chapter in their exploration of form and material. Departing from the raw, industrial aesthetic of their debut, this collection embraces a more playful and pop-inspired approach, reinterpreting wood through bold, unconventional shapes. C/00 challenges expectations, blending craftsmanship with a fresh, dynamic energy.

SKIN is a lounge where ink traces lives lived and steel frames hold space for reflection. A place where personal and shared stories emerge through symbols etched on skin—each mark a whisper of resilience, identity, and transformation. Here, you sit within your own story, while touching the lives of others.

Thibeau Scarcériaux
C.1[bg]

The c.1[g] Brown Glass Chair reinterprets the iconic design in warm brown glass. Its geometric planes, free of visible joints, seem to float, playing with light and shadow. The rich hue adds depth, balancing strength and fragility.
A bold blend of timeless form and striking materiality.

Thibeau Scarcériaux
Fragile fc.1

The “Fragile” Collection: where the ethereal beauty of grey glass furniture defies expectations. Despite their translucent elegance, these pieces are designed with a hidden robustness that encourages everyday use. The grey glass, with its smooth, refined surfaces reflecting light in a gentle shimmer, plays with shadows to evoke an ethereal beauty. However, beneath this delicate facade lies a surprising durability that challenges norms.

A low-back chair design inspired by the summer tides of Saimaa Lake in Finland. The Pleats Chair reflects Didi’s introspective views on nature, with curves that echo the gentle flow and movement of water. The horizontal orientation of the wood grain in the Pleats Chair is reminiscent of the undulating surface of a lake. 
Pleats Chair is part of Didi NG Wing Yin’s Wood Pleats collection.

The Plita chair, from the Solida collection by Mattia Mazzoleni and Guglielmo Morandini, is a monolithic piece in concrete. The project stems from a reflection on the material’s nature: concrete, inherently liquid, simply takes the shape of its mold.Here, the mold—usually hidden—becomes the design’s focus. The result is raw, worn, imperfect. A texture that softens as it moves across the surface, fading into smoothness.

A monolithic chair made by cutting discarded blocks of expanded polyurethane from Salone 2024. Essential and totemic, it emerges from the idea of re-entering the system in a new form.
A silent object that speaks of reuse, transformation, and the power of a minimal gesture.